Movement (for the Balvenie)
small movement
2022
Movement
A lightly intoxicating, enveloping sensory experience, with music weaving and swirling through the air. I connected and transformed the volumes of each chapter’s wine bottle shapes in different directions, forming several curved, rotating forms. These were arranged into a collective mass that seems to traverse, surround, and gather from all directions. The points of contact between them and their relationship with the environment are treated with a delicate, floating quality.
I chose wood as the material—not only because wood plays a crucial role in the winemaking process by sealing and transforming flavors, but also because its grain embodies the passage of time in a tangible form. On the surfaces facing two directions, I carved horizontal lines. These lines subtly hint at musical notation while reinforcing the impression of flowing movement.
In the end, I completed a large composition over two meters tall, as well as a smaller piece designed to hold a single bottle from 1961.
2022 | The Balvenie DCS Compendium
artist｜Cheng Tsung FENG
project designer｜Chan Wei HSU, Hong Lin LIU
project executor｜Yin Chun WONG
structural analysis｜ Chien Chuan Engineering Consulting Co.
photography｜FIXER Photographic Studio
2022
樂章
包覆感官的微醺輕盈體感，樂曲在空中穿梭環繞，我將每個篇章的酒瓶體積互相在不同的方向連結變形，形成幾個彎曲旋轉的形態，並置成一個從四面八方穿梭而來、包圍環繞聚集的集合量體，彼此之間的接觸以及與環境的關係都以輕盈漂浮的氣質處理，並且選用木材質來製作，木除了在製酒過程扮演著封藏滋味變化的關鍵角色，木本身的紋理也是時間被具象化的痕跡，我在其中兩個方向的表面刻上水平的線條，除了有樂譜符號的一點暗示之外，也透過這些水平線條加強流動的印象。最後除了完成一座兩米高的大樂章之外，還做了一個放置一瓶1961年的小樂章。
2022 | 百富首席調酒師典藏系列
藝術家｜范承宗
專案設計｜許展維、劉鋐霖
專案執行｜翁穎諄
結構分析｜建全工程顧問
攝影｜定影影像